Dr. Jekyll and Mr. Hyde 1941
Posted by spheer2002 | Filed under Films of the 1940's
Freudian Horses
Directed By Victor Fleming
Although this is Considered to be the lesser film of the early Juggernaut made in 1931, directed by Rouben Mamoulian that ultimately won its actor Fredric March (the Best Years of Our Lives) a tied best academy award with Wallace Beery for ”The Champ” (,a feat which has only happened twice in the history of the academy awards), The 1941 Version should not be completely Overlooked.
Set in Victorian England Circa 1889
The Film Opens with a White Gothic Cathedral and The Minister standing at the pulpit singing the praises of Queen Victoria’s Reign and the ‘Moral’ values it has to greatest pride in displaying, this is quickly Interrupted the the ravings of a Mentally disturbed man sitting in the congregation shouting back at the minister and being Dragged out of the Church.
Dr Henry Jekyll (Spencer Tracy- Guess Whos Coming to Dinner)struggles to convince his peers of his radical theory of helping those who are mentally disturbed but extracting more of , what could be described as their ‘Good” Personality with Science,
As a result for his radical beliefs of Good and evil being a product of human nature and not that of God, he is ostracized by his future Father in Law, separating him from his Fiance Beatrix (Lana Turner - The Postman Always Rings Twice) who is very much in love with him, after a night on the town he runs into a man attacking a woman on the street, a Common bar girl Named Ivy (Ingrid Bergman - Casablanca), He is Sexually attracted to her, but feeling the pressure of being unfaithful to his fiance and worrying about what people may think, he separates himself from her.
In despair about his separation from Beatrix and that the scientific body will not allow him to experiment on live cases of Disturbed Patients, Jekyll Takes the Bold Move of testing his formula on himself.
The Result of Course goes wrong or perhaps works too well, The consequences for his actions are only too clear.
Like Most Hollywood Remakes of their earlier films, Not Much has changed in Hollywood when you Think about it ,
A remake with an all Star Cast, The Hot Director with a great films under his belt .. in this case Victor Flemming with films such as The Wizard of Oz , and Gone with The Wind (or most of it anyway) A rich, slick, decadent MGM look , A And a Sumptuous Film Score Provided By Legend Franz Waxman (Sunset Bvd, Rebecca).. What could go wrong?
Apparently Plenty…
The Film was considered to be a major disappointment, even by today’s standards , this is of course due to the fact that Spencer Tracy is not in the least frightening as The Infamous Mr Hyde,
While Fredric March in the original was completely convincing as a Monster, in his transformation while he roamed the streets of London , Looking like the ‘missing link’ he was legitimately frighting and disgusting in compassion to his Alter ego, Poor Mr Tracy , who generally did a lot better in films was ok as Dr Jekyll, but while still aggressive and animalistic , looked more like Robert Smith of the Cure ,a crazy looking middle aged man who hadn’t showered for a week , but nothing more.. he wasn’t at all scary,
The Film does Bring froward some treasures though
In both films there are of course significant changes to the novel (eg there are no Female leads , and heavy suggestions of Homosexual undertones)
in the 31 version two female characters were added as love interests, one for each personality, the Good has a pretty young respectful fiance, and bad has a cockney crude, prostitute named Ivy,
Of course in 1941 due to film censorship the Character of Ivy was changed from a prostitute to a Barmaid, an essentially good girl, a little rough around the edges that makes bad decisions.
When casting, strangely Spencer Tracy prior to meeting her making the film Woman of the Year (1942) and beginning his famous affair with her Spencer Tracy wanted Katharine Hepburn to play both the Good and the Bad roles, and in the end of the film the revelation was that she was in fact the same woman, of course this never happened, When final casting was done it was decided that Ingrid Bergman would play the Good Girl and the Tarty Barmaid would be played by the blond sultry Lana Turner. But after a string of films playing wholesome saintly milkmaid roles Ingrid wanted a change an opted strangely to play out of type as the earthy Barmaid Ivy and Lana would play Beatrix , The Fiance of Dr Jekyll, although the film fared badly Most People remember Ingrid Bergman for her role saying it almost rivaled the emotional intensity that was shown by Miriam Hopkins in the 31 version playing the rough as guts Prostitute before the Rules of Censorship came through in Hollywood,
The Films greatest Redeeming Feature is the Presence of Ingrid Bergman and what she does with her character if for No Other reason watch it for that!
Also worth mentioning are the film Montages when Tracy Transforms , unlike the 31 version where Fredric Marchs’s transformation is archived through Clever UV lighting by painting marks on the actors face, Tracys Transformation is done completely out of sight, The Montages which are meant to distract us this are for a better word out of this world, almost rivaling the dream sequences in Alfred hitchcocks Spellbound and Vertigo, they have Strong Freudian subtext and are astonishing to view , the most extraordinary being when Sprencer Tracys is whipping two horses, one white, one black they are transformed into his two girlfriends, the white being his Fiance , the Black being his Lustful Desire Ivy, the close up of Ivy and the Pan to Tracys Expression has he Whips her is a harbinger of her fate towards the end of the film.
But in hind site Tracy’s performance may have been in closer examination , more concise with the original concept of the story, A man who drinks a formula , not to bring out a cave man, but his true repressed Aggression , his Violent Sexual nature, Freedom of Expression, and to be able to do anything you can in public without caring about the concerns or the approval of others , Something that like in the book Dr Jekyll deals with in his repressed Victorian society, A society more concerned with manners, class distinction and ultra conservatism .
In this way you could say Tracy is Not frighting to us now as we live in a 21st century society where we are mostly free to do what in private and in public without concerns of silly ”Victorian Garden party Rules” or ”1950s paranoia and stupidity ” .
We have purposely over the course of the 2oth Century have pushed the boundaries of freedom of expression , Sex and self censorship, Violence, Aggression ,in one way or another, The fact that Tracys Mr Hyde is Not scary then , as is now, is that Tracys Mr Hyde is Us.. a citizen of the 20th century
not an ape man that roams London terrorizing people but an uninhibited soul
If you consider the raving man inside the Church at the beginning of the film, and that his inhibitions are because of a head injury due to an accident we have the basic idea from the start,
It is said that people who have an injury to the front of their brain due to an accident may have a slight change of personality, due to the weakening of the front of the brain where we exercise control of our emotions , Something that humans develop after two years of life after instruction from parents and life experience, when this is damaged sometimes traits of our personality , that we usually keep hidden away managed to come through, This Is what Dr Jekyll Believed anyway, and wanted to prove.
Jekyll is the product of extream society repression, whn he takes the forular he does not just ease into a gradualy state of freedom, its given to him all at once, and as he is unavble to deal rationally with his new freedom , it therefor becomes an inflicter of ill, so maybe to judge Tracys Hyde as lesser is infact the easy way to exclude this film, when on closer inspection, he may have been more true to the origional concept that we may already know,
Tags: Barmaid, Based off Novel, Franz Waxman, Freudian, Gothic, Ingrid Bergman, Lana Turner, Love Triangle, Multiple Personality, Murder, Noir, Psychological Thriller, Remake, Robert Louis Stevenson, scientific experiment, Sexual Repression, Spencer Tracy, Victor Flemming, Victorian Era
The Lodger 1926
Posted by spheer2002 | Filed under Films of the 1920's
At Age 27 after three films (two of which are lost, the other, which was ”The Pleasure Garden”) Hitchcock Culminated his first seminal quintessential film ,it was raised in the schools or Berlin and Was hailed as the Greatest British Picture Ever Made at the time, Its A theme He would Return to many years later in Frenzy made outside the golden age of his successes in Hollywood.
It was Hitchcock first major Success and one of two films in the 20’s (the other was ”Blackmail”) that gave him an enormous reputation , It offers a possible explanation for”Jack the Ripper” and shows the beginning of many Hitchcock trademarks such as the Wrong Man on the run, fetishistic sexuality and murder, Death and Pleasure,
In the Dark Thick Fog, London is awash with fear and loathing over a serial sex murder known as “The Avenger” who targets Blond Woman in particular and leaves their warm corpse lying in the street ,He always strikes on a Tuesday, his Face is covered, and Leaves his calling card always tucked away in the victims pocket,
On a Tuesday night Daisy Bunting(June Tipp) a Model comes home to her little flat she shares with her family, her boyfriend(Malcolm Keen) the local chief of police is there boasting how he’s going to catch the”avenger killer while flipping a coin in the air, Suddenly the Gas meter switches off and while Daisys Father (Arthur Chesney) goes to insert another coin in , The house goes dark All of A sudden their is a knock on the Door and Mrs Bunting (Played beautifully by Marie Ault) Opens the Door to a pall faced Tall man with his face Covered (Ivor Novello) inquiring about the room for let upstairs,The Pale Antisocial Asexual Unnamed man begins his association with the family and starts More trouble than they can possibility imagine, especially when we seems to take Interest in Daisy who Just Happens to be Fair Haired.Suspicion Falls upon the odd Introvert and coincidence seems to follow fact as Tuesday Night Comes Around Again and another scream is heard in the Depths of the London Fog.
Fritz Langs film work work particularly “M” (a film about a child molester and Serial Murderer) made a profound impression on the Work of Hitchcock .It would be a strange coincidence that in his Last American Film Frtiz Lang Would Pay Homage to him in ”Beyond Reasonable Doubt”
This film has all the trademarks of the latter Hitchcock s films and is greatly enhanced by the great use of film montage of German Expressionist Films to which Hitchcock learned his trade and made a point of his style This Film has been Remade four times as recently as 2009 and the second even starred Novello himself however there’s is no comparison There are some who say Hitchcock was always a bit of a silent film director with his use of great lengthy scenes without dialogue, and if you watch this u can see why everything in the stories plot comes across clear as a bell its not a dodgy DW Griffith with too much montage to millions of Credit cards to Tell you whats happening, you can see exactly whats going on, you can tell when something horrible is going to happen to the sweet blond victim , and you are given that same ’suspend belief’ that’s in all the Great Hitchcock Films of his Golden Period .
Its a Silent film but as the voyer you can still see everything that goes on you are looking through a crack in the floor of a second story apartment at a ”Killer” Passing above your head waiting to strike,
Tags: Accusation, Hitchcock, Love Triangle, Murder, Mystery, Noir, Psychological Thriller, Serial Murderer
Under Capricorn 1949
Posted by spheer2002 | Filed under Film, Films of the 1940's
Under Capricorn is a bit of a space oddity , Directed By Alfred Hitchcock, set in Australia in the earl 1800’s and Beloved by the French Critcs,Hitchcock fnished the decade the same as he did with the last , with a arty experiment, “Jamaica Inn ‘ this Like Rope has a series of unedited shots and is More of a psycho-Drama , Think Rebecca Downunder
but unlike rebecca the only thing that holds it is Ingrid and the many secret devils she deals with through drink and forgetfullness , its shot in colour and looks great,
dosnt really show any signs of be “hitchcokian’ till the last part of the film, Hitchcock only went down the period drama three times, ‘Waltzes from Vienna ‘ wich he only did for the money lets face it, “Jamaica Inn” has its moments but not many and ‘Under Capricorn’
its not widely seen so give it a go…
Tags: Australia, Hitchcock, Ingrid Bergman, Madness, Psychological Thriller, Self Sacrifice
Marnie 1964
Posted by spheer2002 | Filed under Film, Films of the 1960's
This is said to have killed the career for Hitchcock,
buts its the best of his Physco- Dramas film and one of the most experimental The beautiful Marnie Edgar (Tipi Hedron)is a first class bookkeeper and the apple of her employers’ eyes. She Also happens also to be a Grand larcenist, compulsive thief who Steals hundreds of thousands of Dollars, under man pseudonyms and guises , She steals not because she is poor or greedy but for no apparent reason at all. After a failed attempt to steal from the charismatic predatory Mark Rutland (Sean Connery ‘Fresh from Dr No) He takes her and Sexually Blackmails her into marring him.
Thinking he can Unravel Her Sexual and Social Problems by wedding her and Bedding her only causes more chaos and erratic behavior , its only out of a true love for her and Freudian psychology does he uncover the mysteries of her past that contribute to her penchant for taking other people’s money and her Sexual frigidity
The Last Collaboration Between Hitchcock and many people who had worked with him before, this is know to many as the last great Seminal Hitchcock Film, After the Trauma of working with Hitchcock on ”The Birds” Tippi decided not to go for round three although to this day has stated it is her favorite of the two films she did with Hitchcock because of the Complex Characterization of Marnie, One of the most Complex female Characters of the 1960’s If not ever!
Hitchcock Also Parted Company with his Favorite Writer Over a Argument about a scene involving Rape as well as some of his film editors and DOP’s, But the greatest loss was the End of the Era of Hitchcock and Bernard Herrmann the Great Film Composer who gave Vertigo its Uninterrupted Anxiety,North by Northwest its Drive and Psycho its Stabbing, Herrmann Parted Company with Hitchcock over what he thought was an indicate score and the need to generate a”Hit Tune” From the Music,
Although a Song called ”Marnie” was composed for Nat king Cole to sing, it didn’t fare well at all, even less than the film itself
The Interesting thing of course after more than 40 years
this was the last film that featured the ”Hitchcock Blond”
At the Time Marnie was Criticized by people for seeming too fake with its painted backdrops and studio shots ,as most films were now being done on location, But these in later years has been Argued as some of Hitchcocks quintessential traits in order for is films to truly have his signature
What ever you may think of Marnie its is Just as important as all the Other Greats in the Cannon of Hitchcock and The Last great Film of a Magnificent Director .
You Will See Red
Tags: Freudian, Frigidity, Hitchcock, Psychological Thriller, Thief, Twist
